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The Wiley Blackwell Companion to Contemporary British and Irish Literature


The Wiley Blackwell Companion to Contemporary British and Irish Literature


Blackwell Companions to Literature and Culture 1. Aufl.

von: Richard Bradford, Madelena Gonzalez, Stephen Butler, James Ward, Kevin De Ornellas

335,99 €

Verlag: Wiley-Blackwell
Format: EPUB
Veröffentl.: 03.09.2020
ISBN/EAN: 9781119652649
Sprache: englisch
Anzahl Seiten: 912

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Beschreibungen

<p><b>THE WILEY BLACKWELL COMPANION TO CONTEMPORARY BRITISH AND IRISH LITERATURE</b></p> <p><b>An insightful guide to the exploration of modern British and Irish literature</b></p> <p><i>The Wiley Blackwell Companion to Contemporary British and Irish Literature</i> is a must-have guide for anyone hoping to navigate the world of new British and Irish writing. Including modern authors and poets from the 1960s through to the 21st century, the Companion provides a thorough overview of contemporary poetry, fiction, and drama by some of the most prominent and noteworthy writers. Seventy-three comprehensive chapters focus on individual authors as well as such topics as Englishness and identity, contemporary Science Fiction, Black writing in Britain, crime fiction, and the influence of globalization on British and Irish Literature.</p> <p>Written in four parts, <i>The Wiley Blackwell Companion to Contemporary British and Irish Literature</i> includes comprehensive examinations of individual authors, as well as a variety of themes that have come to define the contemporary period: ethnicity, gender, nationality, and more.</p> <p>A thorough guide to the main figures and concepts in contemporary literature from Britain and Ireland, this two-volume set:</p> <ul> <li>Includes studies of notable figures such as Seamus Heaney and Angela Carter, as well as more recently influential writers such as Zadie Smith and Sarah Waters.</li> <li>Covers topics such as LGBT fiction, androgyny in contemporary British Literature, and post-Troubles Northern Irish Fiction</li> <li>Features a broad range of writers and topics covered by distinguished academics</li> <li>Includes an analysis of the interplay between individual authors and the major themes of the day, and whether an examination of the latter enables us to appreciate the former.</li> </ul> <p><i>The Wiley Blackwell Companion to Contemporary British and Irish Literature</i> provides essential reading for students as well as academics seeking to learn more about the history and future direction of contemporary British and Irish Literature.</p>
<p><b>Volume One</b></p> <p>Preface<br /><i>Richard Bradford</i></p> <p><b>Part One</b></p> <p>1. Before Now: An Essay on Pre-Contemporary Fiction and Poetry<br /><i>Richard Bradford</i></p> <p>2. British Literature Today: 21st century British literature<br /><i>Stephen Butler</i></p> <p>3. Introduction to Contemporary Irish Writing<br /><i>James Ward</i></p> <p>4. Overview of Modern/Contemporary Drama<br /><i>Kevin De Ornellas</i></p> <p><b>Part Two</b></p> <p>5. Aidan Higgins: Disguised Autobiographies<br /><i>Neil Murphy</i></p> <p>6. Brian Friel<br /><i>Graham Price</i></p> <p>7. Alan Bennett<br /><i>Joseph H. O’Mealy</i></p> <p>8. Edward Bond<br /><i>Peter Billingham</i></p> <p>9. Seamus Heaney<br /><i>Adam Hanna</i></p> <p>10. Michael Moorcock<br /><i>Mark Williams</i></p> <p>11. Angela Carter<br /><i>Anja Muller-Wood</i></p> <p>12. Christina Reid<br /><i>Michal Lachman</i></p> <p>13. Bernard MacLaverty <br /><i>Richard Russell<br /><br /></i>13a. Eavan Boland's Poetry: The Inoperative Community<i><br />Pilar Villar-Argáiz</i></p> <p>14. I am, therefore I think: being and thinking inside the world of John Banville’s fiction<br /><i>Alisa Hemphill</i></p> <p>15. Julian Barnes (born 1946)<br /><i>Vanessa Guignery</i></p> <p>16. Where They Are: Language and Place in James Kelman’s Fiction<br /><i>Johnny Rodger</i></p> <p>17. Howard Barker (and the Art of Theatre)<br /><i>Elisabeth Angel-Perez and Vanasay Khamphommala</i></p> <p>18. Marina Lewycka<br /><i>Heather Fielding</i></p> <p>19. Dermot Healy (1947-2014)<br /><i>Keith Hopper</i></p> <p>20. David Edgar<br /><i>Sean Carney</i></p> <p>21. Ian McEwan<br /><i>Brian Diemert</i></p> <p>22. Tom Paulin - Writer and Translator<br /><i>Stephanie Schwerter</i></p> <p>23. Graham Swift<br /><i>Daniel Lea</i></p> <p>24. Martin Amis<br /><i>Andrew James</i></p> <p>25. Peter Ackroyd<br /><i>Jean-Michel Ganteau</i></p> <p>26. Patrick McGrath<br /><i>Sue Zlosnik</i></p> <p>27. Medbh Mcguckian<br /><i>Barbola Farago</i></p> <p>28. Paul Muldoon<br /><i>Alex Alonso</i></p> <p>29. William Boyd: ‘Fiction… so real you forget it is fiction’<br /><i>Christine Berberich</i></p> <p>30. ‘Some of these things are true, and some of them lies. But they are all good stories’: the Historical Fiction of Hilary Mantel <br /><i>Laura J Burkinshaw</i></p> <p>31. Linton Kwesi Johnson<br /><i>Emily Taylor Merriman</i></p> <p>32. Hanif Kureishi<br /><i>Laurenz Volkmann</i></p> <p>33. Colm Tóibín<br /><i>Kathleen Costello-Sullivan</i></p> <p>34. Janice Galloway<br /><i>Dorothy Mcmillan</i></p> <p>35. Martin Crimp<br /><i>Aleks Sierz </i></p> <p>36. Adam Thorpe<br /><i>Dominic Head</i></p> <p>37. Benjamin Zephaniah<br /><i>Graham MacPhee</i></p> <p>38. Jeanette Winterson<br /><i>Susana Onega</i></p> <p>39. Jonathan Coe<br /><i>Laurent Mellet</i></p> <p>40. From the Living Dead of Crouch End to the Brexiteers of Wolverhampton: Surprising Humanity in the Corpus of Will Self<br /><i>Kevin De Ornellas</i></p> <p><b>Volume Two</b></p> <p>Preface<br /><i>Richard Bradford</i></p> <p><b>Part Two</b></p> <p>41. Jackie Kay<br /><i>Nerys Williams</i></p> <p>42. Kathleen Jamie<br /><i>Heather Yeung</i></p> <p>43. Ali Smith<br /><i>Monica Germanà</i></p> <p>44. A.L. Kennedy<br /><i>Monika Szuba</i></p> <p>45. Monica Ali<br /><i>Michael Perfect</i></p> <p>46. Sarah Waters<br /><i>Natasha Alden</i></p> <p>47. David Greig<br /><i>Clare Wallace</i></p> <p>48. David Mitchell<br /><i>Patrick O’Donnell</i></p> <p>49. Emma Donoghue<br /><i>Abigail Palko</i></p> <p>50. Hari Kunzru<br /><i>Peter Childs</i></p> <p>51. Mark O’Rowe<br /><i>David Clare</i></p> <p>52. Conor McPherson<br /><i>Eamonn Jordan</i></p> <p>53. China Miéville<br /><i>Eric Sandberg</i></p> <p>54. Zadie Smith<br /><i>Chris Holmes</i></p> <p><b>Part Three</b></p> <p>55. Experiment and Tradition in Contemporary Poetry<br /><i>David Wheatley</i></p> <p>56. Reproducing the Nation: Nationed Social Imaginaries in Contemporary Scottish Literature<br /><i>Arianna Introna</i></p> <p>57. Welsh Writing in English (c. 1990 - present)<br /><i>D.J. Howells</i></p> <p>58. Eccentrics, Gentlemen, Officers And Spies: Englishness And Identity In The Contemporary British Novel<br /><i>Elsa Cavalié</i></p> <p>59. LGBT and Fiction<br /><i>Joseph Ronan</i></p> <p>60. British Science Fiction 1990-2017: Technology Themed Fiction in the Light of the New Millennium and Speculative ‘Singularity’<br /><i>Dr Grace Halden</i></p> <p>61. British Influences on the Graphic Novel: a Discussion of the ‘Invasion’ Model of Interpretation<br /><i>Hugo Frey</i></p> <p>62. The Girl-Hero for the New Millennia: Alice’s Great-great-granddaughters in Post-Gender Fantasy Worlds<br /><i>Katharine Kittredge</i></p> <p>63. Contemporary British Gothic: the C21st ghost story.<br /><i>Katherine Byrne</i></p> <p>64. Post-Troubles Northern Irish Fiction<br /><i>Dr. George Legg</i></p> <p>65. Globalisation and its Discontents in Twenty-First Century British and Irish Crime Fiction<br /><i>Stephen Butler</i></p> <p>66. British Psychogeographical Fiction<br /><i>Eva M. Pérez-Rodríguez</i></p> <p>67. Representing gender: The Resurgence of Androgyny in Contemporary British Literature<br /><i>Justine Goneaud</i></p> <p>68. Approaches to Modern, Contemporary Drama<br /><i>Kevin De Ornellas</i></p> <p>69. Verbatim Theatre<br /><i>Cyrielle Garson</i></p> <p>70. ‘It had stopped being history and turned into experience’: An Approach to the Historical Novel.<br /><i>Rebecca Devine</i></p> <p>71. Global Literature and the Death of the Novel: Rushdie in Retro-Persepective<br /><i>Madelena Gonzalez</i></p> <p>72. Strange Metaphors: Contemporary Black Writing in Britain<br /><i>Jenni Ramone</i></p> <p>73. Public-Facing Literature: Festivals, Prizes, and Social Media<br /><i>Millicent Weber</i></p>
<p>“With this astounding project and a joint effort of editors and scholars, the companion is of great help for students and scholars in need of an introduction to certain authors and a comprehensive view of the contemporary British and Irish literature.” - <i>Review of Irish Studies in Europe</i> 4 (2):144-49</p>
<p><b>Richard Bradford,</b> is Research Professor at Ulster University and Director of the Ulster Literary Biography Research Centre. He has published more than thirty books, including eight well-reviewed biographies, most recently on Hemingway and Orwell. He is founder and general editor of the new Wiley-Blackwell biography series <i>The Life of the Author.</i>
<p><b>THE WILEY BLACKWELL COMPANION TO CONTEMPORARY BRITISH AND IRISH LITERATURE</b> <p><b>An insightful guide to the exploration of modern British and Irish literature</b> <p><i>The Wiley Blackwell Companion to Contemporary British and Irish Literature</i> is a must-have guide for anyone hoping to navigate the world of new British and Irish writing. Including modern authors and poets from the 1960s through to the 21st century, the Companion provides a thorough overview of contemporary poetry, fiction, and drama by some of the most prominent and noteworthy writers. Seventy-three comprehensive chapters focus on individual authors as well as such topics as Englishness and identity, contemporary Science Fiction, Black writing in Britain, crime fiction, and the influence of globalization on British and Irish Literature. <p>Written in four parts, <i>The Wiley Blackwell Companion to Contemporary British and Irish Literature</i> includes comprehensive examinations of individual authors, as well as a variety of themes that have come to define the contemporary period: ethnicity, gender, nationality, and more. <p>A thorough guide to the main figures and concepts in contemporary literature from Britain and Ireland, this two-volume set: <ul> <li>Includes studies of notable figures such as Seamus Heaney and Angela Carter, as well as more recently influential writers such as Zadie Smith and Sarah Waters.</li> <li>Covers topics such as LGBT fiction, androgyny in contemporary British Literature, and post-Troubles Northern Irish Fiction</li> <li>Features a broad range of writers and topics covered by distinguished academics</li> <li>Includes an analysis of the interplay between individual authors and the major themes of the day, and whether an examination of the latter enables us to appreciate the former.</li> </ul> <p><i>The Wiley Blackwell Companion to Contemporary British and Irish Literature</i> provides essential reading for students as well as academics seeking to learn more about the history and future direction of contemporary British and Irish Literature.

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