Details
The Future of Music
Towards a Computational Musical Theory of Everything|
106,99 € |
|
| Verlag: | Springer |
| Format: | |
| Veröffentl.: | 21.03.2020 |
| ISBN/EAN: | 9783030397098 |
| Sprache: | englisch |
Dieses eBook enthält ein Wasserzeichen.
Beschreibungen
<p>The idea of this monograph is to present an overview of decisive theoretical, computational, technological, aesthetical, artistic, economical, and sociological directions to create future music. It features a unique insight into dominant scientific and artistic new directions, which are guaranteed by the authors' prominent publications in books, software, musical, and dance productions.</p><p><br></p><p>Applying recent research results from mathematical and computational music theory and software as well as new ideas of embodiment approaches and non-Western music cultures, this book presents new composition methods and technologies. Mathematical, computational, and semiotic models of artistic presence (imaginary time, gestural creativity) as well as strategies are also covered.</p><p><br></p><p>This book will be of interest to composers, music technicians, and organizers in the internet-based music industry, who are offered concrete conceptual architectures and tools for their future strategies in musical creativity and production.</p>
<b>Part I Introduction</b>.- 1 General Introduction.- 2 Ontology and Oniontology.- 3 The Basic Functions of Music.- 4 Historicity in Music.- 5 Only One Restriction: Quality.- <b>Part II Technological Tools</b>.- 6 Software Tools and Hardware Options.- 7 New Concepts of Musical Instruments.- 8 Musical Distribution Channels: New Networks.- 9 Big Science in Music.- <b>Part III Mathematical Concepts</b>.- 10 Mathematical Music Theory.- 11 Serialism: Failure of New Concepts without Musical Impact.- 12 Mazzola’s Sonata Construction: A Technical Approach and its Limits.- 13 Imaginary Time.- 14 Mathematical Gesture Theory.- 15 Future Theories (Counterpoint etc.).- <b>Part IV Cultural Extensions</b>.- 16 A Critique of the Western Concept of Music.- 17 Improvisation and the Synthesis Project on the Presto Software.- 18 Art Making as Research.- 19 Human and Machine Music.- 20 Music in the Diversifying Cultures.- 21 Cultural Theories of Gesture.- <b>Part V Creative Strategies</b>.- 22 Recapitulation of Creativity Theory.- 23 The Specifically Musical Walls Against Creativity.- 24 Examples of Creative Extensions in Music.- 25 Performance and Composition.- 26 Are Aesthetics and Business Antagonists?.- <b>Part VI COMMUTE</b>.- 27 ComMute—Towards a Computational Musical Theory of Everything.
<p>The idea of this monograph is to present an overview of decisive theoretical, computational, technological, aesthetical, artistic, economical, and sociological directions to create future music. It features a unique insight into dominant scientific and artistic new directions, which are guaranteed by the authors' prominent publications in books, software, musical, and dance productions.</p><p><br></p><p>Applying recent research results from mathematical and computational music theory and software as well as new ideas of embodiment approaches and non-Western music cultures, this book presents new composition methods and technologies. Mathematical, computational, and semiotic models of artistic presence (imaginary time, gestural creativity) as well as strategies are also covered.</p><p><br></p><p>This book will be of interest to composers, music technicians, and organizers in the internet-based music industry, who are offered concrete conceptual architectures and tools for their future strategies in musical creativity and production.</p>
Presents newest mathematical music theory and embodiment science in a concise way with concrete examples and illustrations Passes on knowledge of involved professionals as the authors are all active as creators of music and dance Thematizes the well-known physics principle of a theory of everything in music
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