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<span><span>New International Voices in Ecocriticism</span><span> presents a compendium of ecocritical approaches, including ecocritical theory, ecopoetics, ecocritical analyses of literary, cultural, and musical texts, and new critical vistas on human-nonhuman relations, postcolonial subjects, material selves, gender, and queer ecologies. </span></span>

<span><span>Table of Contents</span></span>
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<span><span>Foreword</span><span> </span><span>by </span><span>Scott Slovic</span></span>
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<span><span>Acknowledgments</span></span>
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<span><span>Introduction: New International Voices in Ecocriticism</span></span>
<br>
<span><span>Serpil Oppermann</span></span>
<br>
<span><span>Part I. New Ecocritical Trends</span></span>
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<span><span>Chapter 1. Selves at the Fringes: Expanding Material Ecocriticism </span></span>
<br>
<span><span>Kyle Bladow</span></span>
<br>
<span><span>Chapter 2. “Global Subcultural Bohemianism”: Postlocal Ecocriticism and Tim Winton’s </span><span>Breath</span></span>
<br>
<span><span>William V. Lombardi</span></span>
<br>
<span><span>Chapter 3. “What is it about you . . . that so irritates me?”: </span><span>Northern Exposure</span><span>’s Sustainable Feeling</span></span>
<br>
<span><span>Sylvan Goldberg</span></span>
<br>
<span><span>Chapter 4. Bang Your Head and Save the Planet: Gothic Ecocriticism</span></span>
<br>
<span><span>Ba</span><span>şak Ağin Dönmez</span></span>
<br>
<span><span>Part II. Nature and Human Experience</span></span>
<br>
<span><span>Chapter 5. Un-Natural Ecopoetics: Natural/Cultural Intersections in Poetic Language and Form</span></span>
<br>
<span><span>Sarah Nolan</span></span>
<br>
<span><span>Chapter 6. </span><span>“There’s No Place like ‘Home’”: Susanna Moodie, Shelter Writing, and Dwelling on the Earth</span></span>
<br>
<span><span>Elise Mitchell</span></span>
<br>
<span><span>Chapter 7. Against Ecological Kitsch: Derek Jarman’s Prospect Cottage Project</span></span>
<br>
<span><span>Guangchen Chen</span></span>
<br>
<span><span>Chapter 8. Neo-Aranyakas: An Enquiry into Mahasweta Devi’s Forest Fictions</span></span>
<br>
<span><span>Anu T. Asokan</span></span>
<br>
<span><span>Chapter 9. Ecoerotic Imaginations in the Early Modernity and Cavendish’s </span><span>The Convent of Pleasure</span></span>
<br>
<span><span>Abdulhamit Arvas</span></span>
<br>
<span><span>Part III. Human-Nonhuman Relations</span></span>
<br>
<span><span>Chapter 10. What Are We? The Human Animal in Eugene O’Neill’s </span><span>The Hairy Ape</span></span>
<br>
<span><span>Christina Caupert</span></span>
<br>
<span><span>Chapter 11. Familiar Animals: The question of human-animal relationships in Lauren Beukes’s </span><span>Zoo City</span></span>
<br>
<span><span>Elzette Steenkamp</span></span>
<br>
<span><span>Chapter 12. Dismantling “Conceptual Straitjackets” in Peter Dickinson’s </span><span>Eva</span></span>
<br>
<span><span>Diana Villanueva Romero</span></span>
<br>
<span><span>Afterword by </span><span>Greta Gaard</span></span>
<br>
<span><span>Contributors</span></span>
<br>
<span><span>Index</span></span>

<span><span>New International Voices in Ecocriticism</span><span> presents a compendium of ecocritical approaches, including ecocritical theory, ecopoetics, ecocritical analyses of literary, cultural, and musical texts, and new critical vistas on human-nonhuman relations, postcolonial subjects, material selves, gender, and queer ecologies. The essays affirm the continuing significance and necessity of international perspectives in environmental humanities, offering unique responses to environmental problems.</span></span>
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<span><span>Serpil Oppermann </span><span>is professor of English at Hacettepe University.</span></span>