Details

Heart And Soul

Heart And Soul

Critical Essays On Joy Division
Popular Musics Matter: Social, Political and Cultural Interventions

von: Martin J. Power, Eoin Devereux, Aileen Dillane

59,99 €

Verlag: Rowman & Littlefield International
Format: EPUB
Veröffentl.: 05.10.2018
ISBN/EAN: 9781786603364
Sprache: englisch
Anzahl Seiten: 400

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Beschreibungen

Titelbeschreibung

<span><span>Led by the iconic Ian Curtis, Joy Division remains one of the most influential bands to emerge in the British Post-Punk Scene. In spite of Joy Division’s relatively short existence, their unique sound and distinct iconography have had a lasting impact on music fans and performers alike. This book disassembles the band’s contribution to rock music. </span></span>
<br>
<br>
<span><span>Based on up-to-date original research, </span><span>Heart And Soul</span><span> brings together established and newly emerging scholars who provide detailed examinations the many layers of this multi-faceted and influential band and their singer, the late Ian Curtis, in particular. Given Joy Division’s complexities, the book draws upon a wide range of academic disciplines and approaches in order to make sense of this influential band.</span></span>

Titelkurzbeschreibung

<span><span>Based on up-to-date original research, </span><span>Heart And Soul</span><span> brings together established and newly emerging scholars who provide detailed examinations the many layers of this multi-faceted and influential band and their singer, the late Ian Curtis, in particular.</span></span>

Inhaltsverzeichnis

<span>List of Figures and Tables / Foreword / Introduction: This Is the Way, Step Inside: Understanding</span>
<br>
<br>
<span>Joy Division, </span>
<span>Martin J. Power, Aileen Dillane and Eoin Devereux</span>
<span> / </span>
<span>PART 1: DEAD SOULS: HAUNTOLOGY AND FAUSTIAN</span>
<span>CONTRACTS / 1 </span>
<span>Missions of Dead Souls: A Hauntology of the Industrialism, Modernism and Esotericism in the Music of Joy Division, </span>
<span>Michael Goddard</span>
<span> / </span>
<span>2 </span>
<span>Tony Wilson’s Bloody Contract: A Re-enactment of the Faustian Bargain, </span>
<span>Dan Jacobson and Ian Jeffrey</span>
<span> / </span>
<span>PART 2: BALLARD, BURROUGHS, DOSTOEVSKY AND GOGOL: LITERARY (AND VISUAL)</span>
<span>INFLUENCES ON JOY DIVISION / 3 </span>
<span>Trying to Find a Clue, Trying to Find a Way to Get Out! The European Imaginary of Joy Division, </span>
<span>Giacomo Bottà</span>
<span> / </span>
<span>4 </span>
<span>Literary </span>
<span>Influences on Joy Division: J. G. Ballard, Franz</span>
<span> Kafka, Dostoevsky, </span>
<span>Sara Martinez</span>
<span> / </span>
<span>5 </span>
<span>‘Possessed by a Fury That Burns from Inside’: On Ian Curtis’s Lyrics, </span>
<span>Uwe Schütte</span>
<span> / </span>
<span>PART 3: JOY DIVISION AND MENTAL HEALTH / 6 </span>
<span>In a Lonely Place: Illness and the Temporal Exile of Ian Curtis, </span>
<span>Tiffany Naiman</span>
<span> / </span>
<span>7 </span>
<span>‘Communication Breakdown: Inarticulacy and the Significance of “Transmission”, </span>
<span>J. Rubén Valdés Miyares</span>
<span> / </span>
<span>8 </span>
<span>This Is the Crisis I Knew Had to Come: Revisiting Ian Curtis’s Suicide, </span>
<span>Eoin Devereux, David Meagher and Walter Cullen</span>
<span> / </span>
<span>PART 4: INTERZONE: SOUNDS, IMAGES AND STYLE / 9 </span>
<span>Joy Division in Space: The Aesthetics of Estrangement, </span>
<span>Robin Parmar</span>
<span> / </span>
<span>10 </span>
<span>Manchester, Martin Hannett and Joy Division’s Pungent Architecture, </span>
<span>John S. Greenwood and Paul Tarpey</span>
<span> / </span>
<span>11 </span>
<span>Nothing Here Now but the Recordings: The Moving Image Record of Joy Division and the Factory Video Unit, </span>
<span>Nick Cope</span>
<span> / </span>
<span>PART 5: CULTURAL LEGACIES / 12 </span>
<span>Mining for Counterculture, </span>
<span>Colin Malcolm / </span>
<span>13 </span>
<span>‘</span>
<span>I Hung Around in Your Soundtrack’: </span>
<span>Affinities with Joy </span>
<span>Division among Contemporary Iranian Musicians, </span>
<span>Gay Jennifer Breyley</span>
<span> / </span>
<span>14 </span>
<span>As If It Never Happened: The Posteconomy of Joy Division and Ian Curtis, </span>
<span>Jennifer Otter Bickerdike</span>
<span> / </span>
<span>PART 6: TEMPTATION, TRANSMISSION</span>
<span>AND TRANSITIONS / 15 </span>
<span>Things That Aren’t There: Spectral Presences in Musical Absences – The Transition from Joy Division to New Order, </span>
<span>Kieran Cashell</span>
<span> / Discography/Filmography / Bibliography / Contributor Biographies</span>

Autorenportrait

<span><span>Eoin Devereux</span><span> is a Professor of Sociology at the University of Limerick, Ireland.</span></span>
<br>
<span><span> </span></span>
<br>
<span><span>Martin J Power</span><span> is a Lecturer in Sociology at the University of Limerick, Ireland.</span></span>
<br>
<br>
<span><span>Aileen Dillane</span><span> is a Lecturer at the Irish World Academy of Music and Dance, University of Limerick, Ireland.<br><br><br></span></span>

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