Details
Empire and After
Englishness in Postcolonial Perspective1. Aufl.
38,99 € |
|
Verlag: | Berghahn Books |
Format: | EPUB |
Veröffentl.: | 01.10.2007 |
ISBN/EAN: | 9780857453334 |
Sprache: | englisch |
Anzahl Seiten: | 218 |
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Beschreibungen
<p> The growing debate over British national identity, and the place of "Englishness" within it, raises crucial questions about multiculturalism, postimperial culture and identity, and the past and future histories of globalization. However, discussions of Englishness have too often been limited by insular conceptions of national literature, culture, and history, which serve to erase or marginalize the colonial and postcolonial locations in which British national identity has been articulated. This volume breaks new ground by drawing together a range of disciplinary approaches in order to resituate the relationship between British national identity and Englishness within a global framework. Ranging from the literature and history of empire to analyses of contemporary culture, postcolonial writing, political rhetoric, and postimperial memory after 9/11, this collection demonstrates that far from being parochial or self-involved, the question of Englishness offers an important avenue for thinking about the politics of national identity in our postcolonial and globalized world.</p>
<p> Dedication<br> Acknowledgements</p>
<p> <b>Introduction:</b> Nationalism Beyond the Nation-State<br> <i>Graham MacPhee</i> & <i>Prem Poddar</i></p>
<p> <b>PART I: NATION AND EMPIRE</b></p>
<p> <b>Chapter 1.</b> "As White As Ours": Africa, Ireland, Imperial Panic, and the Effects of British Race Discourse<br> <i>Enda Duffy</i></p>
<p> <b>Chapter 2.</b> Writing About Englishness: South Africa’s Forgotten Nationalism<br> <i>Vivian Bickford-Smith</i></p>
<p> <b>Chapter 3.</b> Passports, Empire, Subjecthood<br> <i>Prem Poddar</i></p>
<p> <b>Chapter 4.</b> Friends Across the Water: British Orientalists and Middle Eastern Nationalisms<br> <i>Geoffrey Nash</i></p>
<p> <b>Chapter 5.</b> Under English Eyes: The Disappearance of Irishness in Conrad’s <i>The Secret Agent</i><br> <i>Graham MacPhee</i></p>
<p> <b>PART II: POSTCOLONIAL LEGACIES</b></p>
<p> <b>Chapter 6.</b> Brit Bomber: The Fundamentalist Trope in Hanif Kureishi’s <i>The Black Album</i> and "My Son the Fanatic"<br> <i>Sheila Ghose</i></p>
<p> <b>Chapter 7.</b> Crisis of Identity? Englishness, Britishness, and Whiteness<br> <i>Bridget Byrne</i></p>
<p> <b>Chapter 8.</b> Conserving Purity, Labouring the Past: A Tropological Evolution of Englishness<br> <i>Colin Wright</i></p>
<p> <b>Chapter 9.</b> All the Downtown Tories: Mourning Englishness in New York<br> <i>Matthew Hart</i></p>
<p> Notes on Contributors<br> Index</p>
<p> <b>Introduction:</b> Nationalism Beyond the Nation-State<br> <i>Graham MacPhee</i> & <i>Prem Poddar</i></p>
<p> <b>PART I: NATION AND EMPIRE</b></p>
<p> <b>Chapter 1.</b> "As White As Ours": Africa, Ireland, Imperial Panic, and the Effects of British Race Discourse<br> <i>Enda Duffy</i></p>
<p> <b>Chapter 2.</b> Writing About Englishness: South Africa’s Forgotten Nationalism<br> <i>Vivian Bickford-Smith</i></p>
<p> <b>Chapter 3.</b> Passports, Empire, Subjecthood<br> <i>Prem Poddar</i></p>
<p> <b>Chapter 4.</b> Friends Across the Water: British Orientalists and Middle Eastern Nationalisms<br> <i>Geoffrey Nash</i></p>
<p> <b>Chapter 5.</b> Under English Eyes: The Disappearance of Irishness in Conrad’s <i>The Secret Agent</i><br> <i>Graham MacPhee</i></p>
<p> <b>PART II: POSTCOLONIAL LEGACIES</b></p>
<p> <b>Chapter 6.</b> Brit Bomber: The Fundamentalist Trope in Hanif Kureishi’s <i>The Black Album</i> and "My Son the Fanatic"<br> <i>Sheila Ghose</i></p>
<p> <b>Chapter 7.</b> Crisis of Identity? Englishness, Britishness, and Whiteness<br> <i>Bridget Byrne</i></p>
<p> <b>Chapter 8.</b> Conserving Purity, Labouring the Past: A Tropological Evolution of Englishness<br> <i>Colin Wright</i></p>
<p> <b>Chapter 9.</b> All the Downtown Tories: Mourning Englishness in New York<br> <i>Matthew Hart</i></p>
<p> Notes on Contributors<br> Index</p>
<p> <b>Graham MacPhee</b> has taught at universities in Britain and the US and is currently Assistant Professor of English at West Chester University of Pennsylvania. He is the author of <i>The Architecture of the Visible: Technology and Urban Visual Culture</i> (Continuum, 2002).</p>
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