Details

Christian Sacred Music in the Americas


Christian Sacred Music in the Americas



von: Andrew Shenton, Joanna Smolko

44,99 €

Verlag: Rowman & Littlefield Publishers
Format: EPUB
Veröffentl.: 17.02.2021
ISBN/EAN: 9781538148747
Sprache: englisch
Anzahl Seiten: 372

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Beschreibungen

<p><span>Christian Sacred Music in the Americas </span><span>explores the richness of Christian musical traditions and reflects the distinctive critical perspectives of the Society for Christian Scholarship in Music. This volume, edited by Andrew Shenton and Joanna Smolko, is a follow-up to SCSM’s</span><span> Exploring Christian Song</span><span> and offers a cross-section of the most current and outstanding scholarship from an international array of writers.</span></p>
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<p><span>The essays survey a broad geographical area and demonstrate the enormous diversity of music-making and scholarship within that area. Contributors utilize interdisciplinary methodologies including media studies, cultural studies, theological studies, and different analytical and ethnographical approaches to music. While there are some studies that focus on a single country, musical figure, or region, this is the first collection to represent the vast range of sacred music in the Americas and the different approaches to studying them in context.</span></p>
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<p><span>This edited volume explores the richness and diversity of Christian musical traditions in the Americas. The essays present a cross-section of current scholarship on Christian sacred music and the approaches to studying them in context.</span></p>
<p><span>Introduction: Exploring Christian Sacred Music in the Americas</span></p>
<p><span>Andrew Shenton and Joanna Smolko</span></p>
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<p><span>I. Liturgical Music</span></p>
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<p><span>1. Liberation Theology: Affirmation and Homage in Three Brazilian Popular Masses</span></p>
<p><span>Cathy Ann Elias</span></p>
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<p><span>2. The Guatemalan Choirbooks: Facilitating Preservation, Performance, and Study of the Colonial Repertoire</span></p>
<p><span>Martha Thomae</span></p>
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<p><span>II. Hymnology</span></p>
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<p><span>3. Sweet Harmonies of Praise: Reviving Shape Note Singing in Rural Arkansas</span></p>
<p><span>Andrew Granade</span></p>
<p><span> </span></p>
<p><span>4. Hymns of Joyful Praise: Sacred Harp Singing in Athens, Georgia</span></p>
<p><span>Joanna Smolko</span></p>
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<p><span>5. The Hymn Tunes of Thomas Hastings</span></p>
<p><span>David W. Music</span></p>
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<p><span>III. Contemporary Worship</span></p>
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<p><span>6. ‘</span><span>Evangélico e Brasileiro</span><span>’: Brazil’s Alternative Christian Music Scene</span></p>
<p><span>Marcell Silva Steuernagel</span></p>
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<p><span>7. Ethics, Justice, and Politics in Contemporary Worship Music</span></p>
<p><span>Jeff R. Warren</span></p>
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<p><span>IV. Paraliturgical Music</span></p>
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<p><span>8. ‘Resignation’ and Virgil Thomson’s </span><span>Hymns from the Old South</span></p>
<p><span>Zen Kuriyama</span></p>
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<p><span>9. “Rock of Ages: Images of Jesus in Popular Music.” </span></p>
<p><span>Delvyn Case</span></p>
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<p><span>V. Diasporic Music</span></p>
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<p><span>10. The Folk Scholarship Roots and Geopolitical Boundaries of Sacred Harp’s Global 21</span><span><sup>st</sup></span><span> Century</span></p>
<p><span>Jesse Karlsberg</span></p>
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<p><span>11. Anglican Diaspora: Episcopal Church Music in the Twenty First Century</span></p>
<p><span>Matthew Hoch</span></p>
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<p><span>VI. Indigenous and African American Music</span></p>
<p><span>12. ‘Woman, Arise and Speak’: Envisioning the Study of Indigenous Christian Song in Brazil</span></p>
<p><span>Andrew Janzen and Meiry Yakawa</span></p>
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<p><span>13. From the Sun to the Son: How Christian Missionaries used Music to Evangelize the Choctaw People</span></p>
<p><span>Emma</span><span> </span><span>Wimberg</span></p>
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<p><span>14. </span><span>Lift Every Voice and Sing</span><span>: Embodying Black Theology in Song</span></p>
<p><span>Stephen Michael</span><span> </span><span>Newby and Chelle Stearns</span></p>
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<p><span>Epilogue: Singing Worlds in the Americas </span></p>
<p><span>Michael O’Connor</span></p>
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<p><span>Andrew Shenton </span><span>is professor of music at Boston University. His research areas include music and transcendence, humor and religion, performance practice, and theology and the arts.</span></p>
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<p><span>Joanna Smolko</span><span> is an instructor at the University of Georgia. Her research areas include American popular music from the nineteenth and twentieth centuries, American sacred music, American folk music, and film music.</span></p>
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<p><span>Accompanying URLs:</span></p>
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<p><span>Chapter 9 - <a href="https://www.delvyncase.com/jesus"><span>https://www.delvyncase.com/jesus</span></a></span></p>
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<p><span>Chapter 10 - <a href="https://nam11.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.cdss.org%2Fprograms%2Fcdss-news-publications%2Fcds-online%2Fcd-s-online-volume-2%2Fthe-folk-scholarship-roots-and-geopolitical-boundaries-of-sacred-harp-s-global-twenty-first-century-by-jesse-p-karlsberg&amp;data=04%7C01%7Cjesse.p.karlsberg%40emory.edu%7Ce1b7a0508b024bc327da08d929e1429f%7Ce004fb9cb0a4424fbcd0322606d5df38%7C0%7C0%7C637586871245812336%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C0&amp;sdata=Y17shFjuuedzXNt3%2FeP8%2F2qwD%2BnFIT%2FoDlZVlQ2y3sw%3D&amp;reserved=0"><span>https://www.cdss.org/programs/cdss-news-publications/cds-online/cd-s-online-volume-2/the-folk-scholarship-roots-and-geopolitical-boundaries-of-sacred-harp-s-global-twenty-first-century-by-jesse-p-karlsberg</span></a></span></p>
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