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Between Urban Topographies and Political Spaces


Between Urban Topographies and Political Spaces

Threshold Experiences

von: Fabio Vighi, Vittoria Borsò, Elettra Stimilli, Irene Kajon, Wolfgang Müller-Funk, Elio Matassi, Alexis Nuselovici, Mauro Ponzi, Bernhard Waldenfels, Massimo Donà, Félix Duque, Pietro Montani, Dario Gentili, Gabriele Guerra

109,99 €

Verlag: Lexington Books
Format: EPUB
Veröffentl.: 02.04.2014
ISBN/EAN: 9780739188361
Sprache: englisch
Anzahl Seiten: 216

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Beschreibungen

<span><span>Between Urban Topographies and Political Spaces: Threshold Experiences </span><span>uses the term “threshold” as a means to understand the relationship between Self and Other, as well as relationships between different cultures. The concept of “threshold” defines the relationship between inside and outside not in oppositional terms, but as complementaries. This book discusses the cultural and social “border areas” of modernity, which are to be understood not as “zones” in a territorial sense, but as “spaces in between” in which different languages and cultures operate. The essays in </span><span>Between Urban Topographies and Political Spaces</span><span> identify the dimension in urban topographies and political spaces where we are able to locate paradigmatic experiences of thresholds. Because these spaces are characterized by contradictions, conflicts, and aporias, we propose to rethink those hermeneutic categories that imply a sharp opposition between inside and outside. This means that the theoretical definition of threshold put forward in these essays—whether applied to history, philosophy, law, art, or cultural studies—embodies new juridical and political stances.</span></span>
<span><span>The term “threshold” captures the overlapping of inside and outside—well beyond the logic of inclusion and exclusion that still prevails in Western civilization—that can be decisive for the way we understand the relationship between Self and Other. This book discusses the cultural and social “border areas” of modernity, which are to be understood not so much as “zones” in a territorial sense, but rather as “spaces in between,” where different languages and cultures operate.</span></span>
<span><span>Table of Contents</span></span>
<br>
<span><span>Introduction</span></span>
<br>
<span><span>Part I: Thresholds</span></span>
<br>
<span><span>1. Bernhard Waldenfels, </span><span>Threshold Experiences</span></span>
<br>
<span><span>2. Alexis Nuselovici</span><span>, </span><span>Europe, from Threshold to Threshold</span></span>
<br>
<span><span>3. Massimo Donà, </span><span>The Singing of the Sirens</span></span>
<br>
<span><span>4. Félix Duque, </span><span>The European Membrane</span></span>
<br>
<span><span>Part II: Spaces in between</span></span>
<br>
<span><span>5. Mauro Ponzi, </span><span>Naples as Topography of Spaces in Between: Walter Benjamin and the Threshold between Old and New</span></span>
<br>
<span><span>6. Pietro Montani, </span><span>Feeling Obliged: Ethics and Aesthetics of Intermediate Spaces</span></span>
<br>
<span><span>7. Fabio Vighi, </span><span>Between the Two Deaths: the Real as Threshold</span></span>
<br>
<span><span>8. Dario Gentili, </span><span>Paris Topographies of Capitalism: the Nineteenth-Century Metropolis</span></span>
<br>
<span><span>9. Gabriele Guerra, </span><span>“But the Dioscuri”</span><span>:</span><span> Between Labyrinth and Temple: Walter Benjamin’s Topographies</span></span>
<br>
<span><span>Part III: Heterotopies</span></span>
<br>
<span><span>10. Vittoria Borsò, </span><span>On the Threshold between Visibility and Sayability: the Event of Visuality in the Materiality of the Image</span></span>
<br>
<span><span>11. Elettra Stimilli, </span><span>The Threshold between Debt and Guilt</span></span>
<br>
<span><span>12. Irene Kajon, </span><span>The Biblical Metaphor of the Threshold in Rosenzweig and Kafka</span></span>
<br>
<span><span>13. Wolfgang Müller-Funk, </span><span>The Sphinx as a Threshold Figure: about the Limits between the Sexes</span></span>
<br>
<span><span>14. Elio Matassi</span><span>, Trauerspiel and Opera in Walter Benjamin</span></span>
<br>
<span><span>Works Cited</span></span>
<br>
<span><span>Index</span></span>
<br>
<span><span>About the contributors</span></span>
<br>
<span></span>
<span><span>Alexis Nuselovici (Nouss) is professor of comparative literature at the University of Aix-Marseille. His most recent books are </span><span>Plaidoyer pour un monde métis</span><span> and </span><span>Paul Celan. Les lieux d’un déplacement</span><span>.<br><br>Mauro Ponzi is professor of German literature at the University of Rome. Among his publications are </span><span>Klassische Moderne. Un paradigma del Novecento </span><span>and </span><span>Arte e natura: imitazione e simulazione</span><span>.<br><br>Fabio Vighi teaches critical theory and European cinema at Cardiff University. Among his publications are </span><span>On Žižek’s Dialectics </span><span>and </span><span>Critical Theory and Film Noir</span><span>.</span></span>

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